
I recently downloaded the leak of Panda Bear's "Tomboy"
after I had waited 4 it for the past 3+ years...
But now that I have it
I am afraid to unzip the files
afraid to dive in
Afraid of what I might hear
Maybe it will be 'good'
Maybe it will be 'bad'
But maybe, I have moved on beyond 'needing music to be good or bad'
and constructing my identity based on my ability to critically evaluate music
I've grown up a lot as a music fan
As an indie music fan and connoisseur
I've been humbled
But at the same time, I've become more mature
Maybe no album can save 2k10, 2k11, 2k12, 2k19, 2k50, 3k44, 10k10, 240k11
No one buzzband can save us from the impending indie apocalypse
It's just too much pressure
Music might not be 'that great' after all
Therefore, no buzzband is 'that great'
Therefore, AnCo's 2k9 MPP run might be historically overvalued
And just left us in a buzz depression due to buzz inflation
It might be time 2 re-evaluate...
And Panda Bear's Tomboy might be the only opportunity we have
to slaughter a sacrificial golden calf
by 'panning it' [via Pitchfork sub 7.5, non-Best New Music]
Is it time to 'turn' on AnCo?
Panda
Avey
The Deak
and Geo?
What makes us 'love music'?
We love the drama.
We love the storylines.
We love to follow indie music, like a sports bro follows his fantasy league teams
The ebb & flow of the indiesphere
mirrors our human struggle...
Does Animal Collective have the meme cannon necessary
2 guide us into the future of relevancy?
Or has their gimmick/music 'peaked'?
What is next 4 AnCo?
What is next 4 the buzzosphere?
It's no longer about the 'art'
It's about the meme management...
and I just know know if AnCo still has the memes, the personality, or the willingness 'to play the game'
that it takes to win the blogosphere's critical acclaim...

So many questions inside of TOMBOY...
After Animal Collective 'won' 2k9
It seems like every1 is either 'waiting' for them to
a) release a new album that 'wins' again
b) a buzzband to release a similar product so that we can anoint them as 'being the next great authentic band'
What has 'music' become in the post-AnCo-2k9 era?
It feels like the IndieSphere just hosted the Olympics
Leveraging billions of dollars to build unnecessary infrastructure
and even though we had a wonderful celebration
We are just 'in mad debt' and struggling
We're just so lost as a buzzosphere
Spending so much time trying to invent micro-trends, micro-genres, pseudo-movements
Then doing our best 2 instantly discredit them
Doing our best to 'tear down the efforts & intentions' of any artist who puts themselves 'out there'
Maybe if we can look Panda Bear straight in the eyes and say
"Sorry bro...
Things have changed...
We appreciate ur service...
but we're moving on..."
The great buzz drought of 2k10-2k11 will finally end.
Imagine if Interpol had released "Turn on the Bright Lights" in 2k9
and it 'defined' modern indie
but then we kept pretending that their subsequent albums and Paul Banks solo projects were 'okay/'good'...
Do u want 2 be an AnCo apologist 'forever'?
Or do u want to help indie to 'evolve'?
To get us out of the 'black hole'/'quicksand pit' that is caused by the negative energy in the buzzosphere?
Has AnCo fever 'been dead' 4 a while?
Is it time 2 take off our AnCo coloured glasses and face the reality of the current buzzosphere?
Is TOMBOY 'awesome' or 'a flop' or 'just okay' or 'a little bit better than OK'?
What is ur analysis of the current state of the buzzosphere?
Can we ever get back to 'Ground Zero' of the buzzosphere without serious indie reform, or an indie terrorist act?
Will TOMBOY be a sacrificial lamb for authentic indie fans who have a vision of a more Authentic 2morrow?










